Objects and Materials from the Funeral of Tutankhamun on View at Metropolitan Museum

March 16–September 6, 2010

In 1908, while excavating in the Valley of the Kings in Egypt, American archaeologist Theodore Davis discovered about a dozen large storage jars. Their contents included broken pottery, bags of natron (a mixture of sodium carbonate, sodium bicarbonate, sodium sulphate, and sodium chloride that occurs naturally in Egypt), bags of sawdust, floral collars, and pieces of linen with markings from years 6 and 8 during the reign of a then little-known pharaoh named Tutankhamun. The Metropolitan Museum of Art was given six of the vessels and a good part of their contents in 1909.


In time, Herbert Winlock, curator and field director of the Metropolitan's Egyptian excavations and in the 1930s Director of the Museum, came to realize that the natron and linen were the embalming refuse from the mummification of Tutankhamun. He also suggested that the animal bones, pottery, and collars might have come from a funeral meal. Winlock's analysis was an important clue that led to Howard Carter's 1922 discovery of Tutankhamun's tomb some 110 meters away.


Opening March 16 at the Metropolitan Museum, the exhibition Tutankhamun's Funeral will explore the materials and rituals associated with the burial of the pharaoh. The presentation will include some 60 objects, primarily from the Metropolitan's own collection.


The exhibition is made possible by the Gail and Parker Gilbert Fund.


This installation complements a major exhibition of treasures from the tomb of Tutankhamun on view April 23, 2010–January 2, 2011, at Discovery Times Square Exposition.


Exhibition Overview
The exhibition will feature jars, lids, bowls, floral collars, linen sheets, and bandages that were used at the pharaoh's mummification and the rites associated with his burial. Related objects will also be shown. These include a sculpted head of the youthful Tutankhamun and several facsimile paintings depicting funerary rituals. Archival photographs from the early 20th century by Harry Burton, the Museum's expedition photographer, will provide an evocative background.


Although few facts are known about the brief life of Tutankhamun (reign ca. 1336–1327 B.C.), scholars studying the funerary cache have been able to reconstruct details of his death and burial. For example, botanical analysis of the well-preserved, more than 3,000-year-old floral collars indicates that the plants they contain flower in Egypt between late February and mid–March. Since the complex process of mummification took about 70 days, it is now believed that Tutankhamun probably died in December or January.


Historical Background
Often called the "boy-king," Tutankhamun was about nine years old when he ascended the throne of ancient Egypt; he died approximately nine years later, possibly owing to causes that include disease and a broken bone. His death may have been unexpected, so that his own tomb was still unfinished; the rather small tomb in which he was actually buried had been started for another person, not for a king. Eventually, workmen's huts completely hid the entrance to the tomb, and its location was forgotten. The discovery of the storage vessels and the accurate identification of their contents were instrumental in leading Howard Carter to his great discovery.


Publication and Related Programs
The exhibition will be accompanied by a classic text written in 1941 by Herbert E. Winlock, one of the early-20th-century's leading Egyptologists and a former Director of the Metropolitan Museum. Originally titled Materials Used at the Embalming of King Tût-'ankh-Amûn, the publication features in-depth analysis of the objects and their significance. A new introduction and appendix by Dorothea Arnold update the findings with recent scholarship. Illustrated throughout with new color photography as well as many historical images and drawings, the publication will be available in the Museum's book shop ($19.95, soft cover).


The catalogue is made possible by The Friends of Isis, Friends of the Department of Egyptian Art, The Metropolitan Museum of Art.


The exhibition will be featured on the website of the Metropolitan Museum (www.metmuseum.org).


Credits
The exhibition is organized by Dorothea Arnold, the Lila Acheson Wallace Chairman of the Department of Egyptian Art. Exhibition design is by Michael Lapthorn, Exhibition Designer; graphics are by Constance Norkin, Senior Graphic Designer; and lighting is by Clint Ross Coller and Richard Lichte, Lighting Design Managers, all of the Museum's Design Department.