Take a Trip to London: As You Like It at Shakespeare’s Globe

Shakespeare is near and dear to Peachy Deegan's English career, and it started in the English class at her prep school where she memorized "To be or not To be..." and read Hamlet, among others that we all read in school. Incidentally, this is the same English class that Whom You Know is named after. We love how it all comes together...

So, when she traveled to London recently, Peachy was thrilled to visit Shakespeare's Globe where she saw "As You Like It" directed by Thea Sharrock. It runs through Saturday, 10 October 2009 and we recommend you Take a Trip to London and see it! We were highly entertained and it was well-worth the trip. As Whom You Know covers the best of Manhattan generally, we do feel that it is necessary to see the history of where we came from: this is the original Broadway, if you will. These plays at Shakespeare's Globe have stood the test of time and all actors, shows, plays and the like that we enjoy in Manhattan, if we were living in Elizabethan times in England, would be just this.

A favourite among Shakespeare’s comedies, As You Like It combines cross dressing and slapstick with gentle satire and brilliant conversation. Cast in the central role of Rosalind is Naomi Frederick best known from her acclaimed performance in Kneehigh’s production of Brief Encounter. Joining the creative team are designer Dick Bird and composer Stephen Warbeck who reunite after their 2007 Globe production of Othello.

At 24 Thea Sharrock was the youngest artistic director in British theatre when she ran London’s Southwark Playhouse in 2001, she subsequently went on to run the Gate Theatre between 2004-2006. In 2007 she directed Harry Potter star Daniel Radcliffe in Equus which transferred to New York in 2008. Other directing projects include Cloud Nine (Almeida), Happy Now and Emperor Jones (National Theatre), A Voyage Around My Father (Donmar Warehouse), Heroes (West End) and Blithe Spirit (Bath Theatre Royal and West End).

Naomi Frederick’s credits include Audrey Affleck in Mrs Affleck at the National Theatre, Laura in Brief Encounter for Kneehigh and Isabella in Measure for Measure for Complicite at the National Theatre. Naomi is joined by an exciting cast of actors including Jack Laskey as Orlando (In Extremis and Antony & Cleopatra, Shakespeare’s Globe; Taming of the Shrew and The Merchant of Venice, RSC), Jamie Parker as Oliver (The History Boys, National Theatre/Broadway and Singer & After the Dance, Oxford Stage Company), Tim McMullan as Jaques (Coram Boy, National Theatre and Mnemonic, Complicite) and Dominic Rowan as Touchstone (Mourning Becomes Electra, National Theatre and The Merchant of Venice, RSC).

Dick Bird was the designer for Othello at Shakespeare’s Globe in 2007. His upcoming and recent credits include Been so Long by Ché Walker (Young Vic/ETT), La Grande Magie (La Comdie Franchaise), Only an Apple (Abbey Theatre, Dublin), Snegurochka – The Snow Maiden (Wexford Festival Opera), The Enchanted Pig (Young Vic, 2006) The Night Season (National Theatre).

Stephen Warbeck is one of Britain’s premier film score composers, winning an Academy Award for his score for Shakespeare in Love and has composed music for various other film and television projects including Skellig and Billy Elliot. He has written extensively for theatre, including most recently Parlour Song and When the Rain Stops Falling at the Almeida, Othello and Pericles at Shakespeare’s Globe and the Royal Court’s production of The Seagull which transferred to Broadway.

The Globe’s Young Hearts theatre season includes Shakespeare’s Romeo & Juliet, Troilus and Cressida and Love’s Labour’s Lost. The Globe will present three new plays: The Frontline by Ché Walker, Helen by Euripides in a new version by Frank McGuinness and A New World: A Life of Thomas Paine by Trevor Griffiths. In addition to its main stage programme the Globe will present two national small-scale tours of The Comedy of Errors and A Midsummer Night’s Dream.

Cast and creative team:

The full cast is – Michael Benz, Philip Bird, Sophie Duval, Naomi Fredrick, Peter Gale, Gregory Gudgeon, Brendan Hughes, Sean Kearns, Jack Laskey, Trevor Martin, Tim McMullan, Jamie Parker, Laura Rogers, Dominic Rowan, Ewart James Walters, Jade Williams

Director Thea Sharrock

Designer Dick Bird

Composer Stephen Warbeck

Choreographer Fin Walker

Booking:

Phone 020 7401 9919 or 020 7087 7398

In person Mon-Sat 10am-6pm (8pm on performance days)

Sundays from 26 April 10am-5pm (7pm on performances days)

On-line www.shakespeares-globe.org

Tickets £5.00 - £33.00

Education Events:

Perspective – platform discussion on Sunday 9 August at 5pm

Setting the Scene (pre-performance) – Tuesdays at 6pm (16 June, 30 June, 15 September, 22 September)

Childsplay workshops (8-11 year olds) – Saturdays at 1.30pm (6 and 20 June, 4, 18 and 25 July, 5 September, 10 October)

Talking Theatre (post matinee) – Wednesdays and Saturdays (Sat 13 June, Wed 17 June, Sat 20 June, Sat 18 July, Wed 16 Sept, Sat 10 Oct)

Access Performances:

Sign Language-interpreted performance – Monday 20 July at 7.30pm

Audio Described performance – Saturday 25 July at 2.00pm

Shakespeare’s Globe Access Line 020 7902 1409 or email access@shakespearesglobe.com



Website:

www.shakespeares-globe.org



Additional information:
* Globe Education offers workshops, lectures and evening courses to over 90,000 students of all ages.
* Shakespeare’s Globe Exhibition is open daily – May to Sept 9am to 5pm. Oct to April from 10am to 5pm. Admission includes a guided tour of the Theatre. For further information, telephone 020 7902 1500.
* Shakespeare's Globe Shop stocks a variety of products, including season specific merchandise. Shakespeare's Globe is a registered charity and all profits from sales go towards supporting our educational mission. Items can be bought at the onsite shop or online at www.globe-shop.com
* Shakespeare's Globe Bar and Brasserie are open all year round. For reservations please call 020 7928 9444.
* Shakespeare’s Globe Trust is a registered charity No.266916.


If you do not make it in time for this particular production, we at Whom You Know believe the high caliber of this organization would make sure every production would be to your liking! We loved how authentic and genuine this experience was: no electricity, no microphones, no elevators! We cannot wait to go back to London to see another production and hope you enjoy these as much as we do.