Richard Serra Drawing: A Retrospective April 13 – August 28, 2011

The first retrospective of the drawings of American contemporary artist Richard Serra will be on view at The Metropolitan Museum of Art from April 13, 2011 through August 28, 2011. Richard Serra Drawing: A Retrospective traces the crucial role that drawing has played in Richard Serra's work for more than 40 years. Although Serra is well known for his large-scale and site-specific sculptures, his work has also changed the practice of drawing. This major exhibition will show how Serra's work has expanded the definition of drawing through innovative techniques, unusual media, monumental scale, and carefully conceived relationships to surrounding spaces. Featured will be 60 works from the 1970s to the present, including many loans from important European and American collections, as well as large-scale works completed specifically for this presentation.

The exhibition is made possible in part by the Jane and Robert Carroll Fund.

It was organized by the Menil Collection, Houston.

Richard Serra Drawing: A Retrospective follows the artist's investigation of drawing as an activity both independent from and linked to his sculptural practice. The exhibition begins with his drawings from the early 1970s, when he drew primarily on paper with ink, charcoal, lithographic crayon, and black paintstick—a crayon comprised of a mixture of pigment, oil, and wax. These works explore formal and perceptual relationships between his sculpture and the viewer. Over time, his drawings increased in scale and evolved into autonomous works of art that challenged the notion of drawing as preparatory work.

In the mid-1970s, Serra made the first of his monumentally scaled Installation Drawings, some of which hang from floor to ceiling and have a width of 10 to 20 feet. To make works such as Pacific Judson Murphy (1978), the artist attached Belgian linen directly to the wall and covered the entire surface with black paintstick, using repetitive and vigorous physical gestures. The Installation Drawings marked a radical shift, altering conceptions of what a drawing is and how it can interact with architecture. Serra's drawings of this period control the space of entire rooms and disrupt perceptions of spatial relationships.

Serra has written of these drawings, "By the nature of their weight, shape, location, flatness, and delineation along their edges, the black canvases enabled me to define spaces within a given architectural enclosure. The weight of the drawing derives not only from the number of layers of paintstick but mainly from the particular shape of the drawing."

In his drawings since the 1980s, Serra has continued to invent new techniques and to explore a variety of surface effects, primarily on paper. In 1989, Serra made a series of diptychs on large, heavy sheets of paintstick-covered paper. Several of the titles of these drawings—such as No Mandatory Patriotism and The United States Government Destroys Art—express the artist's reaction to the removal and disassembly of his sculpture Titled Arc, which was commissioned as a permanent work for New York City's Federal Plaza. The exhibition will also include works from several of his drawing series, such as Deadweight (1991), Weight and Measure (1994), Rounds(1996-97), and Out-of-Rounds (1999-2000).

In Serra's recent drawings, such as the Solids series (2007-2008), the accumulation of black paintstick on paper is so dense that nearly the entire surface of the paper is covered in a layer of viscous pigment. To make these drawings, Serra often pours melted paintstick onto the floor and then lays the paper on top of the pigment. The paintstick is transferred to the sheet by pressing a hard marking tool onto the back of the paper. The exhibition will conclude with a new drawing series from 2010 titled Elevational Weight.

Complementing the drawings will be a presentation of the artist's sketchbooks and four films made by the artist in 1968: Hand Catching Lead, Hand Lead Fulcrum, Hands Scraping, and Hands Tied.

Richard Serra (b. 1939, San Francisco, California) studied at the University of California, Berkeley, and the University of California, Santa Barbara, graduating with a BA in English literature. Serra then received an MFA from Yale University in 1964 and had one of his first New York exhibitions at Leo Castelli's Warehouse gallery, in 1967. His work has been the subject of major exhibitions at the Stedelijk Museum, Amsterdam (1977), The Museum of Modern Art, New York (1986 and 2007), Serpentine Gallery, London (1992), The Drawing Center, New York (1994), Dia: Chelsea, New York (1997), Guggenheim Bilbao (2005), and the Grand Palais, Paris (2008), among other museums.

Serra has received numerous awards and accolades for his artistic achievements. He is a member of the American Academy of Arts and Sciences and has received honorary doctorates from Yale University and other universities. In 2008 he was named a Commander of the Order of Arts and Letters of the French Academy and was decorated with the Order of the Arts and Letters of Spain. He received the Praemium Imperiale for Sculpture from the Japan Art Association in 1994 and the Prince of Asturias Award for the Arts in 2010.

Richard Serra Drawing: A Retrospective is organized Bernice Rose, Chief Curator, Menil Drawing Institute and Study Center; Michelle White, Associate Curator, The Menil Collection; and Gary Garrels, Elise S. Haas Senior Curator Painting and Sculpture, San Francisco Museum of Modern Art. The presentation of the exhibition at the Metropolitan is organized by Magdalena Dabrowski, Special Consultant in the Museum's Department of Nineteenth-Century, Modern, and Contemporary Art.

The 180-page exhibition catalogue features 160 illustrations and essays by Michelle White, Bernice Rose, Gary Garrels, and Magdalena Dabrowski, as well as contributions by Richard Shiff, the Effie Marie Cain Regents Chair in Art at the University of Texas at Austin; and Lizzie Borden, a Los Angeles-based filmmaker and writer. Also included in the catalogue are: an illustrated chronology related to Serra's drawing production; a selected drawing bibliography and exhibition history; and an anthology of selected interviews and writings by the artist, including Serra's notes on drawings. The catalogue is published by The Menil Collection and distributed by Yale University Press. It will be available for sale in the Met's book shops ($50, hardcover).

Education programs organized in conjunction with the exhibition include a subscription event with Richard Serra and Magdalena Dabrowski in conversation on May 18, 2011, and screenings of documentary films about the artist. The Museum will also offer gallery talks for general audiences.

After its presentation at the Metropolitan, Richard Serra Drawing: A Retrospective will travel to the San Francisco Museum of Modern Art (October 15, 2011 – January 17, 2012) and The Menil Collection, Houston (March 2 – June 10, 2012).

The exhibition also will be featured on the Museum's website at www.metmuseum.org.