Peachy at The Met: Making Pottery Art: The Robert A. Ellison Jr. Collection of French Ceramics (ca. 1880-1910) Until August 18, 2014 Our Coverage Sponsored by Hallak Cleaners the Couture Cleaner
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Making Pottery Art: The Robert A. Ellison Jr. Collection of French Ceramics (ca. 1880-1910) is without a doubt our most favorite exhibit at The Met right now (although picking out our favorite Met exhibit is akin to picking out our favorite restaurant...). This exhibit is aesthetically sweet and did you know that Gauguin made about 100 ceramic vessels? About 60 survive, and we find the style similar to his paintings. With Fifth Avenue behind you as you go into this exhibit, on the left wall we like the middle of the five vases by Ernest Chaplet with the gorgeous marbled glaze with magenta and periwinkle. Just beautiful! You should appreciate it even more because experiences with the kiln led to his eventual blindness.
The sculptural bowl with the water nymphs with iridescent effects also caught our eye-quite cool. We wonder what this bowl would have been used for. Punch at a party? The vase with peacock feathers was also brilliant. The Met intelligently pairs the newer works with older Asian counterparts to illustrate continuation of design elements and sources of inspiriation throughout the ages. Bottom line: this is one of the short-but-sweet exhibits by the Met that you just can't miss.
Peachy studied pottery at Miss Porter's School as a student-Pottery 1, Pottery 2, Advanced Studies in Porcelain. Her favorite piece she made was her interpretation of The Stanley Cup...
Exhibition Location: Wrightsman Exhibition Gallery, Main Floor, Gallery 521
The Met tells us:
Making Pottery Art: The Robert A. Ellison Jr. Collection of French Ceramics (ca. 1880-1910) celebrates the recent acquisition of Mr. Ellison’s European art pottery collection at The Metropolitan Museum of Art. The majority of the 40 works on display are examples of French pottery and porcelain, and they are shown with comparative examples drawn from the Museum’s holdings of Asian art, European sculpture and decorative arts, Greek and Roman art, and European paintings to illustrate sources of inspiration.
French ceramics from Mr. Ellison’s collection of European art pottery collection include vases made by potters in the years around 1900 that pushed the boundaries of the medium and were technically experimental and aesthetically ambitious. Works by master ceramicists Ernest Chaplet, Auguste Delaherche, Pierre-Adrien Dalpayrat, and Jean Carriès are highlights of the installation. The installation also includes the monumentalVase des Binelles by Hector Guimard (who is most well-known for his Art Nouveau Métro stations throughout Paris) and an extremely rare ceramic vessel by Paul Gauguin, the first by the artist to enter the Metropolitan Museum’s collection.
Determined that pottery vessels should be regarded as true works of art, avant–garde ceramicists in France in the last decades of the 19th century transformed their craft into an intellectual and emotional endeavor. The pioneers of this revival were Jean Carriès, Ernest Chaplet, Théodore Deck, and Auguste Delaherche. These revolutionary artist-potters embraced artisanal traditions while pursuing lost techniques through exhaustive experimentation. Reacting to what they viewed as excessive and improper use of ornament, they celebrated the simplicity and sincerity of their medium, following the tenets of the Art Nouveau style taking place in Europe. Based on the principles of the British Arts and Crafts movement, Art Nouveau artists sought to reform the decorative arts by emphasizing uniqueness and a return to craftsmanship. Artist-potters found inspiration in Asian ceramics, particularly Japanese stoneware (a hard, dense type of pottery), as well as in the forms, glazes, and techniques of Chinese porcelain and pottery. They also looked to European traditions such as the rustic salt-glazed stoneware of the 16th and 17th centuries and Gothic sculpture and architecture. In the process they created works of ceramic art that were entirely modern and new.
The Robert A. Ellison Jr. Collection of European Art Pottery
Robert A. Ellison Jr. has been collecting pottery since the 1960s. His collection of American art pottery came to the Metropolitan Museum as a promised gift in 2009 and is currently on view in the American Wing. For his collection of outstanding European ceramics, Mr. Ellison has sought the highest-quality examples—typically on a monumental scale—by the greatest artist-potters of the late 19th and early 20th centuries to tell the narrative of the art pottery movement in Europe, especially France. In June 2013 the Metropolitan Museum acquired 76 examples of European art pottery from the Robert A. Ellison Jr. Collection, 54 of which were generously donated. These Continental and British ceramics, dating from 1867 to the 1930s, were acquired jointly by the departments of European Sculpture and Decorative Arts and Modern and Contemporary Art. The arrival of these works from The Robert A. Ellison Jr. Collection of European Art Pottery represents another ceramics milestone in the Metropolitan Museum’s history.
Exhibition Credits
The installation is organized by Elizabeth Sullivan, Research Associate, with the support of Jeffrey Munger, Curator, both of the Metropolitan Museum’s European Sculpture and Decorative Arts Department.
Related Programs
Education programs include exhibition tours.
Additional information about the exhibition and its accompanying programs is available on the Museum’s website at www.metmuseum.org.
