All Columns in Alphabetical Order


Monday, April 25, 2016

NATIONAL GALLERY’S ICONIC WORK FEATURED ON NEW BANK OF ENGLAND £20 NOTE Our Coverage Sponsored by Surreal Eyewear

Joseph Mallord William Turner, The Fighting Temeraire tugged to her last berth to be broken up, 1838, Oil on canvas, 90.7 x 121.6 cm, Turner Bequest, 1856.

Founded in 2002 and l​ocated in New York City’s West Village, ​Surreal Eyewear ​sets the standard in Manhattan for eyewear​ and truly goes beyond the pair of glasses. In Manhattan and beyond, Surreal Eyewear is in a class by itself in specializing as a​ consultant rather than a retailer​, attracting a global clientele. 

“Surreal Eyewear is a museum of eyewear; i​t’s a tribute to eyewear design”, ​states Oleg Rabinovich, the store’s owner​ and creative director.​ ​World-renowned brands such as Kuboraum, Dzimtry Samal, FACE a FACE, Theo and Anne et Valentin compliment Surreal Eyewear’s recently expanded line of its own handmade frames and sunglasses. Surreal Eyewear prides itself in curating a sophisticated and vast array of new, vintage and custom eyewear brands ​sourced ​from all over the world.​ The fashion sense Surreal Eyewear epitomizes ensures a highly fashionable clientele that greatly anticipate new styles seasonally for their optical wardrobe.​ 

At Surreal Eyewear one does not pick out a pair of glasses​, rather one​ enter​s​ into a process ​that ensures ​walk​ing​ away impossibly chic​, convey​ing​ style, function and art.​ These opticians are the craftspeople and ​conduits into this process, selecting ​bespoke ​frames to fit an individual’s face and personality,​ and are​ never shy about refusing to sell frames that are deemed unsuitable. 

Surreal Eyewear are first and foremost opticians with lens fabrication​ with the best ​optics by Carl Zeiss​,​ done in-house with standards all can aspire to. For the truly demanding​ and appreciative of style nuances​, ideas can be developed into custom frames and lenses for a one-off production that transcends the mundane. 





***

The National Gallery is delighted that the iconic and much-loved work from its collection, The Fighting Temeraire tugged to her last Berth to be broken up (1839) by J.M.W Turner, will feature on the Bank of England’s new £20 bank note.

The announcement and unveiling of the design was made this afternoon (Friday 22 April 2016) by the Bank of England Governor, Mark Carney during a ceremony held at Turner Contemporary in Margate.

The image on the new note is based on the famous painting of HMS Temeraire, a veteran of the Battle of Trafalgar and saviour of Nelson’s flagship HMS Victory, being towed to its final resting place by a steam tug. Turner, who called the painting his ‘Darling’, couldn’t bring himself to sell it, but left it instead to the nation upon his death. 

The work has long been a favourite of the National Gallery’s many visitors and was voted the ‘Greatest Painting in Britain’ in a national poll conducted by BBC Radio 4's Today programme in 2005. The Fighting Temeraire was also the focal point of a scene from the 2012 James Bond film, Skyfall, where Daniel Craig’s 007 meets his new quartermaster Q (Ben Wishaw) in front of the painting on a visit to the National Gallery.

The new £20 note will also feature a self-portrait of Turner (from Tate Britain), his signature and a quote, “Light is therefore colour.” Deputy Director and Curator of British painting at the National Gallery, Dr Susan Foister, assisted the Bank of England in finding the source of this quote and also in locating his signature.

The new bank note will enter circulation in 2020.

National Gallery Director, Dr Gabriele Finaldi said: “Every time you pull out a £20-pound note from your pocket, purse or cash machine, you will be reminded of the nation’s best-loved picture in the National Gallery and a masterpiece by one of Britain’s greatest painters.”

The Fighting Temeraire is currently on display in Room 34 at the National Gallery, London.

Back to TOP